Jean Genet's first, and arguably greatest, novel was written while he was in prison. As Sartre recounts in his introduction, Genet penned this work on the brown paper which inmates were supposed to use to fold bags as a form of occupational therapy. The masterpiece he managed to produce under those difficult conditions is a lyrical portrait of the criminal underground of Paris ...(展开全部)

Jean Genet's first, and arguably greatest, novel was written while he was in prison. As Sartre recounts in his introduction, Genet penned this work on the brown paper which inmates were supposed to use to fold bags as a form of occupational therapy. The masterpiece he managed to produce under those difficult conditions is a lyrical portrait of the criminal underground of Paris ...(展开全部)

【作者简介】 乔治•巴塔耶（Georges Bataille，1897—1962），法国哲学家、评论家、小说家，博学多识，思想庞杂，其作品涉及哲学、伦理学、神学、文学、经济学等诸多领域。巴塔耶的思想上承尼采、克尔凯郭尔、萨德的批判倾向，下启20世纪后期法国诸家思潮，对福柯、德里达、波德里亚等人的影响尤深，颇具反叛精神，被誉为“后现代思想策源地之一”。 ======================= 【译者简介】 尉光吉 中国人民大学哲学博士，南京大学艺术学院助理研究员，主要研究西方文艺理论和法国哲学。译有布朗肖《无尽的谈话》和齐泽克《享受你的症状》等作品。

【作者简介】 乔治•巴塔耶（Georges Bataille，1897—1962），法国哲学家、评论家、小说家，博学多识，思想庞杂，其作品涉及哲学、伦理学、神学、文学、经济学等诸多领域。巴塔耶的思想上承尼采、克尔凯郭尔、萨德的批判倾向，下启20世纪后期法国诸家思潮，对福柯、德里达、波德里亚等人的影响尤深，颇具反叛精神，被誉为“后现代思想策源地之一”。 ======================= 【译者简介】 尉光吉 中国人民大学哲学博士，南京大学艺术学院助理研究员，主要研究西方文艺理论和法国哲学。译有布朗肖《无尽的谈话》和齐泽克《享受你的症状》等作品。

Isabel Archer，来自于纽约，应姨母之邀，来伦敦探望她和她的丈夫Daniel的宅邸拜访。后，Isabel的父亲过世。在葬礼期间，她遇到了她的表亲Ralph Touchett，一个友善而病弱的青年，以及Ralph粗鲁的另据Warburton爵爷。Isabel拒绝了Warburton仓促的求婚，同样她也拒绝了Caspar Goodwood的求婚，尽管CG是个富有魅力的人而且是波士顿十分富有的磨坊继承人。尽管Isabel倾心于CG，但是她不希望通过这样的婚姻降低自己的独立性。她觉得，与CG结婚会让她丧失自由。Ralph的父亲年迈重病，要求他的儿子在自己死后把大部分资产留给Isabel。 Isabel周游大陆，在弗洛伦萨遇见了一个被流放的美国人，（当时对于罪行，尤其是宗教或者政治异见者，有流放海外殖民地以及放弃本国国籍的责罚制度。一般流放可以免除拘...(展开全部)

In this study the author challenges both cognitivist-historicist accounts of cinema and conventional film-theory. Arguing that the reading of Lacan operative in the 1970s and 1980s was particularly reductive, he asserts that there is "another Lacan" in reference to whom film theory, cultural studies and critical thought as such can be transformed and revitalized. He supports th...(展开全部)

In this study the author challenges both cognitivist-historicist accounts of cinema and conventional film-theory. Arguing that the reading of Lacan operative in the 1970s and 1980s was particularly reductive, he asserts that there is "another Lacan" in reference to whom film theory, cultural studies and critical thought as such can be transformed and revitalized. He supports th...(展开全部)

本书为公版书，为不受著作权法限制的作家、艺术家及其它人士发布的作品，供广大读者阅读交流。汇聚授权电子版权。

本书为公版书，为不受著作权法限制的作家、艺术家及其它人士发布的作品，供广大读者阅读交流。汇聚授权电子版权。